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, by Louise O'Neill
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Product details
File Size: 2122 KB
Print Length: 320 pages
Publisher: Scholastic Fiction; 1 edition (May 3, 2018)
Publication Date: May 3, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B079Q9GLKZ
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Amazon Best Sellers Rank:
#712,417 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I ended up DNFing this book at about 82%, so I feel like I know what it was that I did not like about this book and I feel confident in my rating.The synopsis of this book says that it is “reimagined through a searing feminist lens†and I do not agree with that at all. To me when a book says that it is a feminist retelling, I think that it is going to have female characters that stand up for themselves and fight for equality, but in the 254 pages that I read of this book, not once did our main character stand up for anything. Sure, the inequality that women in this society is mentioned and observed, but for me that was just not enough.Some things that I absolutely hated about this book:Wow your so pretty I can’t stand it, let me just constantly talk about and mention how beautiful the MC isMC knows another character wants to sexually assault another character, and lets it happen. That is NOT feminist to me.MC’s father says she is so pretty he should’ve taken her as his own. HER FATHER WANTS HER.MC was super judgemental (the first time she sees a fat woman, she says “I did not know such a body was even allowed to existâ€She thinks it is completely out of the question/impossible that one of her sisters is not straightLots of girl hate, especially between the sisters.Did I mention how pretty she is?All men are sexual predators and misogynistic, felt like it was just trying to push the feminist agenda. Not all men are sexual predators or stupid.Sea Witch was far more interesting than the MC, actually stood up for herselfOne dimensional characters, very little character developmentMC is abused every night by her betrothed and then it is never fully addressedAnd seriously, the MC is sooooo pretty no one can believe that she is realI have no idea if the ending gets any better, but from what I read I really didn’t like how the book just pointed out issues instead of actually addressing them or anyone trying to make a difference. The world building is also really lacking, when we get to land it mentions a civil war on the islands, but we have no clue what country we are in and what the islands are. It wasn’t until I went and read the Goodreads synopsis that I realized it’s supposed to be set in Ireland, which definitely does NOT come through in any of the settings or characters.The writing in this was also a really big problem for me, it felt like the publisher didn’t realize that the author was only submitting a first draft and decided to publish it right away. There were paragraphs where there would be a scene with the Sea King, and then the very next paragraph would be something completely different with nothing to tell you what is going on and how you got from there to here.I get that this was trying to be a feminist commentary on the world, but it didn’t quite accomplish that. It never tried to offer solutions or even give any sort of analysis on why this world is the way it is. It almost read like the main message was that men are all evil, misogynistic, abusive monsters and women need to stay away from them.I could honestly go on and on about the things that I disliked about this book, but since I don’t want to write a book length review, I’m going to stop it here. This book was really disappointing for me and I honestly do not recommend this book.
Content Warning: Rape, Sexual Content, Language, Violence, and Female OppressionI really wanted to love this one. I was promised a feminist re-imagining of The Little Mermaid, and I honestly didn't feel like I got that. Literally the last chapter was the only place that that message came out strongly (and a teeny, tiny bit with Oliver's mother), and I kept reading, waiting for the story to get better and to show a more positive message, but it just never got there for me.As far as the retelling aspect of the story went, O'Neill stayed pretty true to both the feel of the tale and the major plot twists. Everything seemed to happen chronologically, as it did in the original faerie tale, and there was a lot of the original tale that was unchanged. But, she also added a really heavy hand to the feeling of the story, and the message that was portrayed throughout was very sad indeed. Gaia, her sisters, and all mermaids of the kingdom, were heavily oppressed by the Mer-men. Being only 15, Gaia was promised to be wed to a man almost as old as her father, who was already over 60 when he took her mother at age 16. There was a HEAVY theme of beauty being the only important aspect of the mermaids, and even when Gaia obtained her legs, the humans seemed to only focus on her beauty as well. Now, one would have thought that somewhere around the halfway point we would have gotten a message about how this oppression was wrong, and looks weren't everything, and that all men weren't shallow like they were in this story. We didn't. I continued to see themes like "boys will be boys," and "no girls allowed," with a focus on the importance of being beautiful.  This didn't feel feminist to me until the ending when Gaia finally decided that she gave up everything for a man (who was 6 years older than her by the way) who would never appreciate her. She finally decided to stand up to her father and take matters in to her own hand. She finally found that female empowerment to realize that the mermaids had been mistreated for far too long. But, this was only within the last 10 pages. Even with Gaia finding this female empowerment at the end, and having the story show how wrong and disgusting this female oppression was, the story didn't feel like it truly represented the feminist ideals of equality. There was not a single decent male portrayed in the story, and even the Rusalkas targeted all men instead of just picking and choosing the sinners. I did enjoy the last chapter. I was proud of Gaia for finding her power and her voice. I enjoyed the addition of the Rusalkas, and their folklore, to the story. I even admired the descriptiveness of the world building, but I just couldn't love a story that felt like it was written for the younger end of YA and yet still contained such a poor message, and still managed to throw in the f-bomb in awkward places, as well as an awkward scene of masturbation brought on by a drunken kiss. The only other positive thing I could point out for this tale would be that it taught a few lessons, just like most original faerie tales intended to do. It showed the importance of feminism. It showed the importance of believing in yourself and your inner and outer beauty. It showed how wrong oppression and prejudice are, and it taught the importance of getting to know someone before letting yourself "fall in love."Â
I love fairy tales. I love fairy tale retellings. This cover is absolutely gorgeous and I haven't read many Little Mermaid retellings so I knew I had to pick this one up. But I wasn't thrilled. It'sa re-imagining of Hans Christian Anderson's tale but it includes subtle details that allude to Disney's version, which I feel wasn't needed.There were some parts that worked for me but a lot that didn't. I felt the style of writing was in conflict with some of the language used. It didn't work together. I enjoyed the main character's character development. I enjoyed the angle the writer choose but I didn't love the writing. The ending was worth it but getting there took too much of my time.
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